Wolverine faces his ultimate nemesis - and tests of his physical, emotional, and mortal limits - in a life-changing voyage to modern-day Japan.
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First off the casting was pretty hit and miss. I have a problem mainly with the female roles. Tao Okamoto was a good pick for her role. She was beautiful and a good actress. Rila Fukushima on the other hand was terrible at her role. Her acting was sub-par and she was not pleasant to look at. I couldn't take her scenes seriously because I was questioning whether she was really born a man. Svetlana Khodchenkova was awful! She has no acting talent and only got this role because she is pretty good looking! It's a shame how movie companies seem to be doing this more and more often. I liked the Japanese aspect of the movie but it would have been better if they would have got into the more traditional side of the Japanese people. I'm still wondering why the writers threw in scenes with Jean Grey. They added nothing to the story and were completely unnecessary! Overall if you are a fan of the X-Men movies you will probably like this one. If not, then maybe skip it. 6/10
A hot blonde doctor strips Wolverine of some of his powers to make him a little more human. And an old buddy tries to take away all of his powers. Good action flick and plot. Acting was good and the movie was really good. I always enjoy these new releases and look forward to the next one.
A decade or so and five X-Men movies on, you would have thought by now that Hugh Jackman would have left the role of Wolverine and handed the adamantium claws over to another actor like James Bond’s tuxedo was given to George Lazenby, and then to Roger Moore, in the wake of Sean Connery. Surely, there would be another part for Jackman to sink his teeth, and a new Wolvie film for that new actor to sink his claws, into.
But there is only one man for this acting job and that is Jackman. Seriously, no-one else can play him, even in 2008’s prequel X-Men Origins: Wolverine when a younger star would have circumstantially been needed to portray him in his early days. That, however, was his last outing and it misfired thanks to a tedious plot, a dull villain and a lacklustre climax which left me quaking for the action spectacle that it should have been. But it’s clearly evident in The Wolverine that director James Mangold injects this movie with that much-needed boost and thrill that was lacking in X-Men Origins, but the storyline still suffers from ridiculous twists and the action being cut short when it’s about to get exciting.
The Wolverine kicks off to a good start: Logan being held in a Japanese POW camp in 1945 and surviving the Nagasaki atomic bombing (a cool thing about being a mutant). Then, we move to the present day - he’s also immortal - after the events of X-Men: The Last Stand, which is odd as people would have wanted to forget Last Stand as it left a bad taste in their mouths. Poor Wolvie’s living in the sticks, suffering from visions of Jean Grey (Famke Janssen), the mutant chick he had to bump off at the end of LS, and making friends with bears doing their business in the woods. Ten more minutes into the film and just when he’s started a brawl in a bar, hot Japanese assassin Yukio (Rila Fukushima) makes her entrance...only it feels forced. She’s sexually attractive and you would want to date her, but the scene builds up tension only to be briefly interrupted by her and you wish she was introduced later on. It’s not long before Beastie Boy gets an invite over to Japan to visit dying corporate boss Yashida (Haruhiko Yamanouchi ) who craves Logan’s healing abilities but he’s not the only one who’s after them.
The stunning cinematography in Japan is on a par with Skyfall’s and the action excels, even if most of it is on a cartoonish level. The fight on top of a bullet train shown in the film’s trailers, however, lacks the wow-factor of the train battle sequence in Spider-Man 2, looks amateurish and is needlessly shorter in comparison. But if that leaves us movie-goers deprived of adrenaline, I can tell you now that Mangold definitely delivers a final showdown that’s miles better than before. If only he saved the plot from moving towards silly Michael Bay-esque territory and left an unnecessary, mind-baffling scene half-way through the end credits with two characters who we thought died, along with Jean Grey, reappearing as cameos, where it should have been – on the cutting room floor – that The Wolverine is sadly not entirely the movie we wanted Origins to be, but you would certainly be lacking common sense to pick it over this. Trust me; this film seriously improves on it.
Jackman is still on terrific form and definitely hasn’t shown signs of growing tired of playing Wolverine, even in his sixth film as the hairy mutant. He knows what makes the character tick and gets his hot-tempered personality and burly, muscular physical appearance spot-on like he’s got Wolvie’s DNA inside him. Fukushima does her best playing an ultimately one-dimensional character but hey, she’s sexy, so what does that matter? Well, the relationship between her and her shaggy boyfriend doesn’t quite sizzle. Scenes of dialogue in superhero films are fine but do they have to drag on? Less talky, more slash-y next time, perhaps? If Fukushima doesn’t attract the males, there’s also the steamy Tao Okamoto, given a stronger role as Yashida’s granddaughter Marika and Svetlana Khodchenkova, deliciously malicious as Dr. Green, aka Viper. For all the gals, there’s Will Yun Lee as Kenuichio Harada, head of the Black Ninja Clan, even if he’s given little to do.
For all The Wolverine is worth, you’ll still get a kick out of it and it’ll probably be like Origins never existed, but the most perfect solo movie outing for Jackman’s fiery mutant is still yet to be made. But rest assured, with a seventh film in the works, it may still happen.